"Yes, I know we're on the side of the road, but that doesn't mean we're trash." |
There are few movie trilogies in history where one can easily say all three entries are classics in their own right, and even better as a trio. The Toy Story trilogy was one of them. So it was a bit of a universal head scratcher when Pixar announced Toy Story 4. It smelled a bit like a money grab, although when you look at its origins--John Lasseter had planned on directing it himself--it makes a little more sense. The last film Lasseter directed, Cars 2, didn't charm the critics, and definitely didn't take home any Oscars, while Toy Story 3 was hailed as a masterpiece...
But, as you might have heard, things at Pixar changed, and the Toy Story 4 we're getting now was directed by Inside Out co-screenwriter Josh Cooley, from a story with no less than nine contributors, including Rashida Jones and writing partner Will McCormack. And while the resulting film doesn't feel like an addition anyone needed, it's certainly not one that deserves to be thrown in the trash.
Speaking of trash, that's kind of a recurring theme in the Toy Story universe, with the entire gang of toys at the end of TS3 almost meeting the ultimate sad end of many a child's plaything, as trash on the way to an incinerator. Its every toy's fear that they'll be lost or abandoned, and Woody (once again voiced by Tom Hanks), is far from immune. As the film opens, he's fallen a bit out of favor with Bonnie, his new kid, and he's often relegated to the closet to collect dust bunnies during her playtime.
Determined to prove his usefulness, and, sure, also be there for some support, he sneaks into Bonnie's backpack on her first visit to kindergarten, and ends up clandestinely helping her make a new friend. Literally.
Crafted out of a Spork, a Popsicle stick, clay, a pipe cleaner, and some googly eyes, Bonnie names her new toy Forky, and they are instantly inseparable. Problem is, Forky (voiced to perfection by Tony Hale) doesn't really understand that he's a toy, and not trash, and in fact, would much prefer the warm comfort of a garbage can to Bonnie's embrace.
So Woody, ever the do-gooder, does his best to make Forky understand his role, while also constantly removing him from the various trash receptacles he flings himself into. This proves even more challenging when Bonnie and her family go on a road trip that ultimately brings them to a small town carnival, and an antique store that might hold Woody's long lost love interest, Bo Peep (Annie Potts).
All of the usual toys are there, including Buzz Lightyear, Rex, Hamm, and Mr. Potato Head (still voiced by Don Rickles, despite his death in 2017). And sure, having all those beloved toys featured in the movie relies on accepting that Bonnie's parents would allow her to BRING THEM ALL on a road trip, but we're talking about sentient toys here, so I'll let it pass.
And it's the new toys that take center stage this time around. Along with Forky, there's Ducky and Bunny, who, next to Forky, are the film's funniest characters (they're voiced by Keegan-Michael Key and Jordan Peele), and Gabby Gabby (Christina Hendricks), a defective talking doll from the 1950's who's only slightly less creepy than the ventriloquist dummies that act as her bodyguards.
With each Toy Story, the animation only gets more beautiful and impressive; Ducky and Bunny could be stop motion, their fake fur looks so realistically...fake. But I was most impressed by the backgrounds, with nighttime scenes that were never murky, and a colorful and energetic carnival that serves as backdrop for much of the action.
And there is indeed a lot of action. The story this time isn't much different, plot wise, than the other Toy Storys or, frankly, a lot of Pixar movies: someone gets lost, and needs to get home. But what's different is that our usual hero Woody is relegated to the sidelines through much of the rescue, with Bo leading the charge (she's learned a lot since she escaped being a child's lamp). It was nice seeing some girls' toys as both heroines and villains this time around.
But I can't help but come back to Toy Story 3, and just how perfect a finale it was. And it's not just that it managed to reduce me to a quivering and sobbing mess at the end, since this one is not without its tear-jerking moments. It's that Toy Story 4 just never feels as vital, which is a problem considering some of the drastic choice one of the most beloved characters makes.
And really, all of this comparison could have been avoided if they just hadn't called the movie Toy Story 4. It's not like the whole franchise ended with the third film. Pixar has been releasing Toy Story related shorts for a number of years, and one, Toy Story of Terror, has even joined the ranks of It's the Great Pumpkin, Charlie Brown as a perennial Halloween TV favorite.
Instead of trying to tie this film into the series, it could have been the start of an endless number of off-shoots featuring our favorite toys befriending new toys, and having new adventures. That's likely the route they're going to take anyway, should this one become a hit. But because of that title, Toy Story 4 will always be the Forky of the series: a thoroughly lovable but slightly weird creation that never quite fits in.
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